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This Week in Montreal: April 13 to 19

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Cellist Stéphane Tétreault performs English Gardens with the Orchestre Métropolitain.

From Paris: The Modigliani Quartet
The Arte Musica Foundation’s “Beyond the Louvre” series presents a group that has taken audiences by storm, winning three international competitions. Coming out of the Conservatoire National Supérieur de Musique et de Danse de Paris, the Modigliani Quartet will perform a program of Mozart, Saint-Saëns and Ravel. Bourgie Hall, April 15, 7:30 pm. www.bourgiehall.ca 
- Renée Banville


Nézet-Séguin and Tétreault On Stage in Montreal
The program English Gardens on April 17 at the Maison Symphonique features Stéphane Tétreault, artist in residence at the Orchestre Métropolitain, performing the Elgar Cello Concerto under the direction of Yannick Nézet-Seguin. The program will be repeated on tour in April: Rivière-des-Prairies (16), Mercier-Hochelaga-Maisonneuve (19), Verdun (21), and Pierrefonds (23).www.orchestremetropolitain.com- Renée Banville


Love Songs at Fondation Arte Musica
Based around the theme “Consonance and Dissonance”, Canadian composer Ana Sokolović presents her opera for solo voice, Love Songs, performed by soprano Kristin Hoff. April 17, Bourgie Hall. www.bourgiehall.ca- Claudie Provencher

Julie Boulianne with Orchestre Lyrique de Montréal
The Orchestre lyrique de Montreal, directed by Ben Kepes and Simon Rivard, concludes its inaugural season with a French program featuring mezzo Julie Boulianne performing Ravel’s Shéhérazadeand Chausson’s Poems de l’armour et de la mer, op. 19. The evening will end with Paul Dukas’s C major Symphony to celebrate the 150th anniversary of the composer’s birth. April 18, Salle Claude-Champagne. www.orchestrelyriquedemontreal.org- Wah Keung Chan
 
Piano Trio at Pro Musica
Known for her inspired performances of great contemporary works, pianist Louise Bessette joins cellist Yegor Dyachkov and clarinetist Simon Aldrich, who won an Opus Prize for “Discovery of the Year”. Works by Bruch, Muczynski and Brahms. Dominica Series, Bourgie Hall. April 19, 3:30 pm. www.promusica.qc.ca
- Renée Banville

En Route with the Molinari Quartet
As part of its En route series, the Molinari Quartet presents three masterworks: Murray Schafer’s Quartet no. 12, written especially for them; Shostakovich’s Quartet no. 4; and the famous Quartet in G minor by Debussy. With the support of the Montreal Arts Counsel, ten concerts will be presented throughout the Montreal area. In April: Maison de la culture Plateau-Mont-Royal (19) and Auditorium Le Prévost (24). In May: Chapelle historique du Bon-Pasteur (14). quatuormolinari.qc.ca- Renée Banville


Cette semaine à Montréal : le 13 au 19 avril

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Le Quatuor Modigliani se produit à la Salle Bourgie

De Paris : le Quatuor Modigliani
La série Hors les murs de la Fondation Arte Musica présente une formation qui a été révélée au public en remportant trois premiers prix dans des concours internationaux. Issu du Conservatoire national supérieur de musique et de danse de Paris, le Quatuor Modigliani a mis au programme Mozart, Saint-Saëns et Ravel. Salle Bourgie, 15 avril, 19 h 30. www.sallebourgie.ca- Renée Banville

Nézet-Séguin et Tétreault sur scène à Montréal
Le programme Jardins anglais du 17 avril à la Maison symphonique présente l'artiste en résidence à l'Orchestre Métropolitain, Stéphane Tétreault, qui interprète le Concerto pour violoncelle d'Elgar, sous la direction de Yannick Nézet-Séguin. Repris en tournée en avril : Rivière-des-Prairies (16), Mercier–Hochelaga-Maisonneuve (19), Verdun (21), Pierrefonds (23). www.orchestremetropolitain.com- Renée Banville

Fondation Arte Musica
Sous le thème « cordes et discorde », la compositrice canadienne Ana Sokolović présentera son opéra pour voix seule, Love Songs, qui sera par la suite interprété par la soprano Kristin Hoff. 17 avril, salle Bourgie. www.sallebourgie.ca
 - Claudie Provencher

Julie Boulianne avec l’Orchestre Lyrique de Montréal
L’Orchestre Lyrique de Montréal, dirigé par Ben Kepes et Simon Rivard, conclut sa saison inaugurale avec un programme français mettant en vedette la mezzo Julie Boulianne interprétant Shéhérazade de Ravel et le Poème de l’amour et de la mer, op. 19 de Chausson. La soirée se terminera avec la Symphonie en ut majeur de Paul Dukas afin de célébrer le 150e anniversaire de la naissance du compositeur. Le 18 avril à la salle Claude-Champagne. www.orchestrelyriquedemontreal.org - Wah Keung Chan

Piano en trio à Pro Musica
Reconnue pour ses prestations inspirées des grandes œuvres de notre temps, la pianiste Louise Bessette se joint au violoncelliste Yegor Dyachkov et au clarinettiste Simon Aldrich, sélectionné pour un prix Opus « Découverte de l'année ». Œuvres de Bruch, Muczynski et Brahms. Série Dominica, salle Bourgie, 19 avril, 15 h 30. www.promusica.qc.ca- Renée Banville

En route avec le Quatuor Molinari
Dans sa série En route, le Quatuor Molinari propose trois chefs-d'œuvre : le Quatuor no 12, écrit par Murray Schafer spécialement pour eux, le Quatuor no 4 de Chostakovitch et le célèbre Quatuor en sol de Debussy. Avec l'appui du Conseil des arts de Montréal, 10 concerts seront présentés dans les arrondissements. En avril : Maison de la culture Plateau-Mont-Royal (19) et Auditorium Le Prévost (24). En mai : Chapelle historique du Bon-Pasteur (14). quatuormolinari.qc.ca- Renée Banville

Christianne Stotijn and Julius Drake Give Superb WMCT Recital

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Christianne Stotijn Superb in WMCT Lieder Recital

~ Joseph So



Tchaikovsky / Six Songs
Amid the Noise of the Ball
My Genius, my Angel, my Friend
If I had only known
Cradle Song
The Lights were being dimmed
The Sun has set

Shostakovich
Six Poems by Marina Tsvetayeva, Op. 143a

Korngold
Four Shakespeare Songs, Op. 31

Strauss
Standchen
Traum durch die Dammerung
Freundliche Vision
Schlechtes Wetter
Nachtgang
Zueignung

Encore: Strauss / Morgen

Christianne Stotijn, mezzo soprano
Julius Drake, piano
Walter Hall, April 16th 2015 1:30 pm


Christianne Stotijn (Photo: Stephan van Fleteran)


Who says the song recital is a dying art form?  Judging by the marvelous Liederabend - albeit given in the afternoon - by Dutch mezzo-soprano Christianne Stotijn and her pianist Julius Drake, the reports of the death of the song recital have been greatly exaggerated, as Mark Twain would have said.  To be sure, in our age of instant gratification, the attraction for anything that requires time and effort on the part of the audience is going to hold limited appeal. But if one is willing to invest the energy into learning about the background of a song and having read the text beforehand, the rewards can be plentiful. This is so true when you have a serious artist like Christianne Stotijn who's keen to help her audience to delve beneath the surface of a work, to unlock the secrets of word and music.



Mezzo Christianne Stotijn and pianist Julius Drake (Photo: Joseph So)

One of the very few truly superb recitalists in front of the public today, mezzo Stotijn offers a beautiful voice with consummate musical intelligence and exemplary communicative power in her recitals. Having experienced her artistry on two previous occasions in Germany, I was looking forward to her first appearance here in Toronto, under the auspices of Women's Musical Club of Toronto.  And I was not disappointed. Walter Hall was nearly full, thanks to the very loyal followers of WMCT, and the knowledgeable audience was extremely well behaved, never interrupting a song with premature applause, and always quiet and attentive, a few inevitable coughs notwithstanding. She is currently on a recital tour with Julius Drake, one of the absolute top collaborative pianists in the world today. They played the same program in a very well received recital last weekend at Pollock Hall on the campus of McGill University.

Stotijn opened with a group of six quite familiar Tchaikovsky songs. Very well chosen songs, with a nice mix of soft versus dramatic selections. Her voice, a "true mezzo" to begin with, seems to have darkened the last few years, its soft-grained, warm colours with a built-in melancholic quality is ideal in these brooding Russian songs.  There's a plaintive quality to her vocal production, particularly in middle voice. In soft passages, she often attacks a phrase quietly, with caressing tone, and little vibrato which she adds on later in the sustained line. In the climactic phrases and sung in fortissimo, the lively vibrato kicks in and it makes a powerful dramatic statement, such as the last sung, The Sun has Set. 



This was followed by a group of unfamiliar songs by Dmitri Shostakovich, set to text by Marina Tsvetayeva, a woman who was Shostakovich's muse. Stotijn went into a detailed explanation of the background of their relationship, complete with the political backdrop that explains the genesis of these songs. To be honest, these are difficult songs for the audience (and I am sure for the singer as well) given the angularity of the musical idiom of a modernist like Shostakovich. Snippets of it remind me of Lady Macbeth of Mtsensk! I would have to re-listen and study the text in order to really get everything out of these works.    

Autographing CDs (Photo: Joseph So)

Following an intermission she sang a group of four songs by Erich Wolfgang Korngold. Well, I have to confess to being a Korngold junkie! His Die tote Stadt, Das Wunder der Heliane, his violin concerto, and the shorter cello concerto are my favourite pieces.  His songs are wonderful as well, although they are perhaps not quite so familiar. I love the marvelous Sony disc by Austrian mezzo Angelika Kirchschlager that came out maybe ten years ago. Since then, a few more have appeared, including one by Anne Sofie von Otter. Melodies just seem to pour out of this man!  Anyone not familiar with his songs - please, do yourself a favour and seek them out.  The four Shakespeare songs are sung in English. The first one, Desdemona's Song, the text really reminds me of Verdi's Salce, salce from Otello. Then three exquisite songs - Under the Greenwood Tree, Blow thou Winter Wind, and the absolutely brilliant When Birds do Sing. Stotijn delivered these with joy and abundant poetic imagination, the coordination between singer and pianist in the last song particularly impressive. Perhaps if I were to quibble, sometimes her top voice would go a little flat and/or not ideally focused, but these are minor issues.



The final group was the very familiar Strauss. Although Cacilie was cut - given the substantial amount of music already on the program, it's understandable - there's enough to satisfy Strauss lovers.  She sang these very beautifully, with smooth, caressing tone, only occasionally she could go a little under-pitched. But the expression and attention to the textual nuances are absolutely first-rate. Standchen, one of my favourite songs, was delivered with a lightness of touch, not the easiest thing to do for a low voice. I loved her sense of humour in Schlechtes Wetter - with that startled look at the end!  Zueignung, as expected, was a perfect song to end the formal part of the program. After much vociferous applause, she sang as an encore, Morgen, with great serenity and depth of feeling.  It was a moment to savour. Through it all, Julius Drake was a rock for the singer. He also gave a long explanation of Korngold to the audience. I am just so happy Drake comes to Toronto frequently - it's always a pleasure to hear him play. Bravi tutti!







Canadian Art Song Project Announces Recital Series for 2015-16

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CASP has exciting news!


We are happy to announce that in the 2015­-16 season CASP will begin a new series of concerts:
The Canadian Art Song Project Recital Series.

This, the first series of ticketed concerts presented by CASP, marks the next stage in our artistic development and mission of introducing Canadian audiences to their own art song repertoire. After four years of annual “Celebration of Canadian Art Song” concerts as a part of the Free Concert Series in the Richard Bradshaw Amphitheatre, CASP will expand to offer two additional intimate recitals starring established and emerging Canadian artists proudly presenting Canadian works alongside European and American song.

The first recital will present a new cycle by Erik Ross (The Living Spectacle) along with works by Brian Harman (Sewing the Earthworm), Richard Strauss (Ophelia Lieder) and American Libby Larsen (Try Me, Good King). The second concert will feature song by Canadians Chester Duncan, Larysa Kuzmenko (In Search of Eldorado) and Imant Raminsh (The Pilgrim Soul)  as well as works by Gustav Mahler (Songs of a Wayfarer) and Dominick Argento (The Andrée Expedition). Tickets will be on sale in September 2015 at www.canadianartsongproject.ca.

The fifth annual “Celebration of Canadian Art Song” concert will be held on May 5, 2016 at 12 noon as part of the Free Concert Series in the Richard Bradshaw Amphitheatre.

(l. to r.) Steven Philcox, Carla Huhtanen, David Brock, Brian Harman, Lawrence Wiliford (Photo: Joseph So)
Tenor Lawrence Wiliford (Photo: Joseph So)

Composer Brian Harman (Photo: Joseph So)

Soprano Carla Huhtanen (Photo: Joseph So)

Writer David James Brock (Photo: Joseph So)

At the announcement on April 17th at the Canadian Music Centre, soprano Carla Huhtanen and pianist Steven Philcox performed Sewing the Earthworm, a CASP commissioned song cycle by composer Brian Harman and Writer David James Brock. Combining elements of poetry, drama, opera and new music, the piece explores a woman's loss of physical control over her body and the effect this has on her mental stability. After the performance, the creative team was joined by moderator Lawrence Wiliford for an open Q&A.  ~  Photos by Joseph So

This Week in Toronto (April 20 - 26)

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My Toronto Concert Picks for the Week of April 20 to 26

~ Joseph So


Canadian conductor Yannick Nezet-Seguin

In my book, the brilliant Yannick Nezet-Seguin is the Canadian conductor of the 21st century. Immensely talented and charismatic, he exudes the joy of music-making every time he steps onto the podium. His star is certainly shining the brightest among all the Canucks, as head honcho in Philadelphia, Rotterdam, London Phil, and an exclusive contract with DG. This is in addition to his "old band" the Orchestre Metropolitain du Grand Montreal (its full name). And he's only 40 years old!  I'll never forget interviewing him for an article in the Debut column of Opera Canada in spring of 2003. Back then he had just been appointed principal guest conductor of the Victoria Symphony. It's staggering how far he has gone in the musical world in a dozen years.  Nezet-Seguin and the Orchestre Metropolitain is coming to Koerner Hall on Friday April 24 8 pm in an all-English program - Elgar's Enigma Variations and Cello Concerto, plus Vaughan Williams'Symphony No. 4. This is a concert not to be missed.  https://performance.rcmusic.ca/event/orchestre_metropolitain

Cellist Stephane Tetreault

The wonderful soloist in the concerto is cellist Stephane Tetreault, who is also in town for the Career Development Award Live Competition under the auspices of the Women's Musical Club of Toronto. There are three finalists this year - pianists Pierre-Andre Doucet and Charles Richard Hamelin, and as well as cellist Stephane Tetreault. It takes place on Sunday April 26 1:30 to 4:30 pm at Walter Hall, Edward Johnson Building. The three finalists are competing for prizes of $20,000 (first), $10,000 (second) and $5,000 (third). This will be an exciting event. Julie Nesrallah of CBC Radio Two is the host. http://www.wmct.on.ca/


Josh Hopkins (Figaro) and Serena Malfi (Rosina) in COC Barber of Seville (Photo: Michael Cooper)

The Canadian Opera Company's spring season opened last Friday with a scintillating production of Rossini's The Barber of Seville. I have to say I'm not a huge Rossini fan, but I find this a terrific show! Joan Font (and Els Comediants) heads the Spanish creative team behind this production, the same people who did the marvelous La cenerentola seen here two seasons ago.  As Figaro, we have the beautiful lyric baritone of Canadian Joshua Hopkins, last heard locally as Marcello in La boheme. Rosina is the Italian rising-star mezzo Serena Malfi. American tenor Alek Shrader, whose memorable Albert Herring I had the pleasure of seeing a few years ago in Santa Fe, is Almaviva. The revelation on opening night was the Bartolo of the great Italian buffoRenato Girolami. Given that there are twelve performance (plus an Ensemble show), most roles are double-cast. But the alternate cast won't start until early in May. Performances this week on April 21 7:30 pm and April 26 2 pm at the Four Seasons Centre. http://www.coc.ca/Home.aspx



Soprano Isabel Bayrakdarian

On April 22 8 pm at Roy Thomson Hall, the Toronto Symphony Orchestra is presenting Ararat: Music of Armenia. It features Three Songs by Gomidas, Khachaturian's Violin Concerto, selections from Masquerade and Spartacus, and a new suite by Canadian composer Mychael Danna for Atom Egoyan's movie Ararat. Soloists include soprano Isabel Bayrakdarian, violinist Sergey Khachatryan, and pianist Serouj Kradjian. Peter Oundjian conducts the TSO.  http://tso.ca/en-ca/concerts-and-tickets/2014-2015-Season/EventDetails/Ararat-Music-of-Armenia.aspx

On April 24 7:30 pm (repeated April 25 at 2 and 7:30), the Toronto Symphony Orchestra supplies the orchestral accompaniment to the Disney film, Fantasia. The TSO has done similar events before and these are always family favourites. TSO Pops Conductor Steven Reineke is at the helm.

TSYO Conductor Shalom Bard

The Toronto Symphony Youth Orchestra, under the baton of Shalom Bard, gives a concert of Mahler's Symphony No. 1, at Koerner Hall on Thursday April 23 at 7:30 pm.  http://tso.ca/en-ca/concerts-and-tickets/2014-2015-Season/EventDetails/Toronto-Symphony-Youth-Orchestra-Spring-Concert.aspx

Violinist Aisslinn Nosky (Photo: Matthew Marigold)

Canadian violinist Aisslinn Nosky is the guest director of the Tafelmusik Baroque Orchestra in Baroque Misbehaving, a program of works by Purcell, Charpentier and Telemann, plus a new commission of Oesterle's Snow White. Performances at the Trinity St. Paul Centre on April 23 8 pm, as well as on April 24, 25, 26 (mat.) and 28, this last at the George Weston Recital Hall. http://www.tafelmusik.org/







This Week in Montreal : April 20 – 26

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This Week in Montreal : April 20 – 26

by Renée Banville, Claudie Provencher,Rebecca Anne Clark and Wah Keung Chan
 

Molinari Quartet

20thanniversary of the FMCM – March 12-June 21 2015
The celebration of the 20thanniversary of the Festival de musique de chamber de Montréal takes off this spring with the Celebrity Series, beginning in March with the Swingle Singers and continuing with the Preservation Hall Jazz Band (April 2) and the Emerson String Quartet (May 12). The Elegance Classique and JazzTD Series will take place from June 6-21. Soprano Marie-Josée Lord, spokeswoman for the festival, will perform her show Femmes, paying tribute to the great sopranos of the twentieth century. Developed by Denis Brott, the festival programming embodies a spirit of celebration, resilience and hope. This year’s festival will take place in various concert halls. www.festivalmontreal.org RB

Nézet-Séguin and Tétreault On Stage in Montreal
The program English Gardens on April 17 at the Maison Symphonique features Stéphane Tétreault, artist in residence at the Orchestre Métropolitain, performing the Elgar Cello Concerto under the direction of Yannick Nézet-Seguin. The program will be repeated on tour in April: Rivière-des-Prairies (16), Mercier-Hochelaga-Maisonneuve (19), Verdun (21), and Pierrefonds (23).www.orchestremetropolitain.com RB

En Route with the Molinari Quartet
As part of its En route series, the Molinari Quartet presents three masterworks: Murray Schafer’s Quartet no. 12, written especially for them; Shostakovich’s Quartet no. 4; and the famous Quartet in G minor by Debussy. With the support of the Montreal Arts Counsel, ten concerts will be presented throughout the Montreal area. In April: Maison de la culture Plateau-Mont-Royal (19) and Auditorium Le Prévost (24). In May: Chapelle historique du Bon-Pasteur (14). http://quatuormolinari.qc.caRB

Guitare Montréal
April 24-26,
www.guitaremontreal.com
This weekend festival combines performances, lectures, masterclasses, an exhibition, and a competition with over $4,000 in prizes. The festival begins Friday night with a performance by the Montreal Guitar Society under the direction of Dave Pilon, plus Czech guitar virtuoso Vladislav Bláha and Alan Liu, winner of last year’s Youth Competition. Guitar luthiers and vendors will be displaying their wares all day Saturday and Sunday. Saturday evening features a performance by last year’s competition winner, Miodrag Zerdoner, and renowned New York guitarist David Leisner. On Sunday afternoon, the Montreal Guitar Society Competition finals will be held from 1-4 pm. All concerts take place at 8 pm at Concordia’s DB Clarke Theatre (1455 de Maisonneuve W). Tickets are $27 with discounts for students and seniors. RC

Fondation Arte Musica
Based around the theme “Consonance and Dissonance”, Canadian composer Ana Sokolović presents her opera for solo voice, Love Songs, performed by soprano Kristin Hoff. April 17, Bourgie Hall.
The integral Bach Canatas continues at Bourgie Hall. The concert given by Capella Antica McGill looks especially interesting, given the ensemble’s renown. The cantatas will be performed based on libretto by poet Christiane Mariane von Ziegler on April 26. www.bourgiehall.ca CP

Actéon: Mythology Revisited
For its annual concert featuring baroque opera, the Compagnie Baroque Mont-Royal, which is dedicated to the performance of early music and operas, presents a Marc-Antoine Charpentier opera, staged by Jon David. A short six-scene opera based on an ancient myth, Acéton tells the story of a young hunter who surprised the goddess Diana and her nymphs as they bathed. The tragic fate of Actaeon remains one of the most popular myths of antiquity.
Audiences can hear David Menzies, Chelsea Mahan, Kristi Bryson, Kripa Nageschwar, Meagan Zantingh, and Marie-Andrée Matthieu, accompanied by the CBMR Quintet. Victoria Hall, Westmount, April 25 and 26. www.cbmroyal.com CP

The Wild Strings of Valérie Milot
Conceived as a marriage of traditional harp repertoire and transcriptions, this recital by Valérie Milot shows audiences the infinite possibilities of the instrument. A program of Smetana, Britten, Tailleferre and Tournier. Maison de la culture Notre-Dame-de-Grâce, April 26, 3:30 pm. www.accesculture.comRB


Cette semaine à Montréal : 20 au 26 avril

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Cette semaine à Montréal : 20 au 26 avril 
par Renée Banville, Claudie Provencher,Rebecca Anne Clark et  Wah Keung Chan
 
Valérie Milot


20e anniversaire du FMCM12 mars au 21 juin 2015

Les célébrations du Festival de musique de chambre de Montréal sont lancées dès le printemps avec la série Célébrité qui commençait en mars avec les Swingle Singers et se poursuit avec le Preservation Hall Jazz Band (2 avril) et l’Emerson String Quartet (12 mai). Les séries Élégance classique et JazzTD se dérouleront du 6 au 21 juin. Porte-parole pour le festival, la soprano Marie-Josée Lord a conçu le spectacle Femmes qui rend hommage à de grandes sopranos du 20e siècle. Élaborée par Denis Brott, la programmation reflète l'esprit de la fête, mais exprime aussi la résilience et l'espoir. Le festival se déploie cette année dans diverses salles de concert. www.festivalmontreal.org RB



Nézet-Séguin et Tétreault sur scène à Montréal

Le programme Jardins anglais du 17 avril à la Maison symphonique présente l'artiste en résidence à l'Orchestre Métropolitain, Stéphane Tétreault, qui interprète le Concerto pour violoncelle d'Elgar, sous la direction de Yannick Nézet-Séguin. Repris en tournée en avril : Rivière-des-Prairies (16), Mercier–Hochelaga-Maisonneuve (19), Verdun (21), Pierrefonds (23). www.orchestremetropolitain.com  RB



En route avec le Quatuor Molinari

Dans sa série En route, le Quatuor Molinari propose trois chefs-d'œuvre : le Quatuor no 12, écrit par Murray Schafer spécialement pour eux, le Quatuor no 4de Chostakovitch et le célèbre Quatuor en sol de Debussy. Avec l'appui du Conseil des arts de Montréal, 10 concerts seront présentés dans les arrondissements. En avril : Maison de la culture Plateau-Mont-Royal (19) et Auditorium Le Prévost (24). En mai : Chapelle historique du Bon-Pasteur (14). http://quatuormolinari.qc.ca RB



Guitare Montréal
24-26 avril,
www.guitaremontreal.com

Ce festival de fin de semaine combine des concerts, des conférences, des cours de maîtres, une exposition et un concours offrant 4000 $ en prix. Le festival commence le vendredi 24 avril par un concert de l’Orchestre de la Société de guitare de Montréal, sous la direction de Dave Pilon et accompagné par le virtuose tchèque de la guitare Vladislav Bláha et le gagnant du Concours de la relève 2014, Alan Liu. Luthier et vendeurs de guitares exposeront leur marchandise samedi et dimanche. Samedi, il sera possible d’entendre Miodrag Zerdoner, le gagnant de l’an dernier, et David Leisner, guitariste new-yorkais bien connu. La finale du Concours international de guitare classique de Montréal se tiendra dimanche après-midi entre 13 h et 14 h. Tous les concerts présentés dans le cadre du festival auront lieu à 20 h au Théâtre DB Clarke de l’Université Concordia(1455 de Maisonneuve Ouest). Les billets coûtent 27 $ et le festival propose une réduction pour les étudiants et les aînés. RC



Fondation Arte Musica

Sous le thème « cordes et discorde », la compositrice canadienne Ana Sokolović présentera son opéra pour voix seule, Love Songs, qui sera par la suite interprété par la soprano Kristin Hoff. 17 avril, salle Bourgie.

L’intégrale des cantates de Bach de la Fondation Arte Musica continue. Le concert donné par Capella Antica McGill a particulièrement attiré notre attention, étant donné la renommée de l’ensemble. Y seront interprétés les cantates sur des livrets de la poétesse Christiane Mariane von Ziegler. 26 avril, salle Bourgie. www.mbam.qc.ca/musique        CP



Actéon, la mythologie revisitée

Pour son concert annuel mettant en vedette un opéra baroque, la compagnie Baroque Mont-Royal, qui rappelons-le se dédie à « l’interprétation de musique et d’opéras anciens », présente un opéra de Marc-Antoine Charpentier mis en scène par Jon David. Opéra miniature de six scènes basé sur un mythe ancien, Actéonraconte l’histoire d’un jeune chasseur surprenant au bain la déesse Diane et ses nymphes. Le sort tragique d’Actéon en fait l’un des mythes les plus populaires de l’Antiquité.

Il sera possible d’entendre David Menzies, Chelsea Mahan, Kristi Bryson, Kripa Nageschwar, Meagan Zantingh et Marie-Andrée Matthieu accompagnés du Quinette de la CBMR. Salle Victoria de Westmount, les 25 et 26 avril. www.cbmroyal.com CP



Les cordes endiablées de Valérie Milot

Conçu afin de marier des œuvres du répertoire traditionnel de la harpe et des transcriptions du répertoire, le récital de Valérie Milot permettra au spectateur d'apprécier les infinies possibilités de cet instrument. Au programme : Smetana, Britten, Tailleferre et Tournier. Maison de la culture Notre-Dame-de-Grâce, 26 avril, 15 h 30. www.accesculture.com RB


Discovery CD – Stéphan Sylvestre

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Discovery CD – Stéphan Sylvestre



As announced in the editorial of the September issue, La Scena Musicale is pleased to present the Discovery CD in partnership with Espace 21 Records, a CD downloads for our subscribers. The Discovery CD was launched in 2009 in partnership with Espace 21 Records. Its aim is to allow LSM Subscribers to discover a new generation of musicians, along with discovering great musicians of the past.

This week’s Discovery CD is Canadian pianist Stephan Sylvestre’s latest record. It consists of works by Johannes Brahms, including 8 piano pieces, two rhapsodies, three intermezzi and an Albumblatt in A minor op. posthumous. CBC music calls his approach to Johannes Brahms “much more romantic [than Perahia], but equally appealing. His playing is introspective and thoughtful, imbued with a deep sensitivity.”

Many critics have praised Sylvestre. He was compared to Artur Rubinstein for his natural talent (La Presse, Montreal). His career takes place on an international scale, having performed in Canada, the United States, Brazil, the Middle East, France, Italy, Scotland, Ireland, England, Czech Republic, Russia and the Netherlands.

Sylvestre is very active in the music world. In addition to concerts, he conducts masterclasses and is regularly invited on the jury of international competitions such as the Canadian Music Competition, the Montreal Symphony Orchestra Competition, the Glenn Gould School Concerto Competition and the Montreal International Musical Competition. Since 2005, he has been associate professor and head of keyboard studies at Western University Canada.

Sylvestre will give a free recital on May 10, 2015 at the Chapelle Historique du Bon-Pasteur on the centennial of Alexandre Scriabine’s death.

Read more about Stéphan Sylvestre:

·       Tomorrow’s Pianistsby Lucie Renaud
·       CBC Radio
·       Toronto Sun(Video)



TRACK LIST:

JOHANNES BRAHMS [ 1833 - 1897 ]

KLAVIERSTÜCKE OP. 76 [ Piano Pieces – Pièces Pour Piano ]
01 no. 1 capriccio in F sharp minor / en fa dièse mineur. un poco agitato 3’20
02 no. 2 capriccio in B minor / en si mineur. allegretto non troppo 3’42
03 no. 3 intermezzo in a flat major / en la bémol majeur. Grazioso 2’12
04 no. 4 intermezzo in B flat major / en si bémol majeur. allegretto grazioso 2’25
05 no. 5 capriccio in c sharp minor / en do dièse mineur. agitato ma non troppo presto 3’09
06 no. 6 intermezzo in a major / en la majeur. andante con moto 4’14
07 no. 7 intermezzo in a minor / en la mineur. Moderato simplice 3’11
08 no. 8 capriccio in c major / en do majeur. Grazioso ed un poco vivace 3’29

ZWEI RHAPSODIEN OP. 79 [ Two rhapsodies – Deux rhapsodies ]
09 no. 1 in B minor / en si mineur 9’54
10 no. 2 in G minor / en sol mineur 6’15

DREI INTERMEZZI OP. 117 [ Three intermezzi – Trois intermezzi ]
11 no. 1 in e flat major / en mi bémol majeur. andante moderato 5’00
12 no. 2 in B flat minor / en si bémol mineur. andante non troppo e con molto espressione 4’47
13 no. 3 in c sharp minor / en do dièse mineur. andante con moto 6’00

ALBUMBLATT
14 [ in a Minor oP. PosTh 1853 - en la Mineur, oP. Posthume 1853 ] 1’58

CD Découverte – Stéphan Sylvestre

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CD Découverte – Stéphan Sylvestre


Tel qu’annoncé dans notre éditorial du mois de septembre, La Scena Musicale est heureuse d'offrir à nouveau des téléchargements gratuits de notre collection CD Découverte. L’initiative des CDs Découverte a été lancée en 2009 en partenariat avec les Disques Espace 21. Le but est de permettre aux abonnés de LSM de découvrir une nouvelle génération de musiciens et de redécouvrir les grands interprètes du passé.

Le CD découverte de cette semaine comprend des enregistrements du pianiste canadien Stéphan Sylvestre. Il s’agit d’oeuvres de Johannes Brahms dont 8 pièces pour piano, deux rhapsodies, trois intermezzo et un Albumblatt en A mineur op. posthume. CBC music affirme que son approche de Brahms est « beaucoup plus romantique [que Perahia], mais aussi intéressante. Sa manière de jouer est introspective et réfléchie, et est accompagné d’une sensibilité profonde. » 


Plusieurs critiques ont encensés Sylvestre. Il a été comparé à Artur Rubinstein pour son talent naturel (La Presse, Montréal). Sa carrière se déroule à l’internationale, ayant donné des récitals au Canada, aux Etats-Unis, au Brésil, au Moyent-Orient, en France, en Italie, en Écosse, en Irelande, en Angleterre. En République Tchèque, en Russie et aux Pays-Bas. 


Sylvestre s’implique beaucoup dans le monde musical. En plus de donner des concerts, il n’est pas rare qu’on fasse appel à lui pour diriger des Masterclass et pour faire partie d’un jury sur des compétitions de haut niveau tels le Conservatoire de musique de Montréal, le Royal Conservatory of Music of Toronto et la Glenn Gould School, le Concours de musique du Canada, le Concours de l’Orchestre symphonique de Montréal et le Concours international de musique de Montréal. Depuis 2005, il est professeur agrégé et responsable du département de piano à Western University, à London.


Stéphan Sylvestre se produira lors d’un concert gratuity le 10 mai 2015 à la Chapelle Historique du Bon-Pasteur en l’honneur du centenaire de la mort d’Alexandre Scriabine. 


Pour en savoir plus sur Stéphan Sylvestre:
·       Cours de maître
·       Pianistes de la génération montante par Lucie Renaud
·       CBC Radio
·       Toronto Sun (Vidéo)

 
Liste des pistes:

JOHANNES BRAHMS [ 1833 - 1897 ]

KLAVIERSTÜCKE OP. 76 [ Piano Pieces – Pièces Pour Piano ]
01 no. 1 capriccio in F sharp minor / en fa dièse mineur. un poco agitato 3’20
02 no. 2 capriccio in B minor / en si mineur. allegretto non troppo 3’42
03 no. 3 intermezzo in a flat major / en la bémol majeur. Grazioso 2’12
04 no. 4 intermezzo in B flat major / en si bémol majeur. allegretto grazioso 2’25
05 no. 5 capriccio in c sharp minor / en do dièse mineur. agitato ma non troppo presto 3’09
06 no. 6 intermezzo in a major / en la majeur. andante con moto 4’14
07 no. 7 intermezzo in a minor / en la mineur. Moderato simplice 3’11
08 no. 8 capriccio in c major / en do majeur. Grazioso ed un poco vivace 3’29

ZWEI RHAPSODIEN OP. 79 [ Two rhapsodies – Deux rhapsodies ]
09 no. 1 in B minor / en si mineur 9’54
10 no. 2 in G minor / en sol mineur 6’15

DREI INTERMEZZI OP. 117 [ Three intermezzi – Trois intermezzi ]
11 no. 1 in e flat major / en mi bémol majeur. andante moderato 5’00
12 no. 2 in B flat minor / en si bémol mineur. andante non troppo e con molto espressione 4’47
13 no. 3 in c sharp minor / en do dièse mineur. andante con moto 6’00

ALBUMBLATT
14 [ in a Minor oP. PosTh 1853 - en la Mineur, oP. Posthume 1853 ] 1’58

This Week in Toronto (April 27 - May 3)

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My Toronto Concert Picks for the Week of April 27 to May 3

~ Joseph So

This is a great week for music fans, with concerts for every taste. The great Russian pianist Evgeny Kissin makes a rare return to Toronto for a solo recital, apparently first in fifteen years, playing works by Beethoven, Prokofiev, Chopin, and Liszt. Friday May 1st 8 pm at Roy Thomson Hall.
Full program details at  http://www.masseyhall.com/eventdetail/Kissin

Pianist Evgeny Kissin (Photo: Sheila Rock)

With the Pan Am Games coming to town, the Toronto Symphony Orchestra is joining the fun with not one but two Latin themed concerts this week. Roberto Minczuk, the Music Director of the Calgary Philharmonic and a native of Brazil, is in town to conduct the pieces by Bernstein, Ginastera, and Villa-Lobos. The centerpiece is a TSO commission,  Sinfonia Afrocubana, a concerto for Latin Jazz Trio and Orchestra, to be performed by the Cuban jazz piano legend Hilario Duran and his Trio. Two performances, on April 29 6:30 pm and April 30 8 pm at the Roy Thomson Hall. http://www.masseyhall.com/eventdetail/TSOHilarioDuranTrioMW



Hilario Duran Trio

The other Latin themed concert is led by Canadian conductor Alain Trudel and it's aimed at families and kids. the TSO and the Platypus Theatre join forces for a fun filled programme, featuring the Liberty Bell March (Sousa), Tico-Tico no Fuba (Abreu), and Ennio Morricone's Gabriel's Oboe from the famous movie, The Mission. Saturday May 2nd 2pm and 4 pm, at Roy Thomson Hall
http://tso.ca/en-ca/concerts-and-tickets/2014-2015-Season/EventDetails/Pan-Am-Beats-Heroic-Feats.aspx

Conductor Alain Trudel

The Canadian Opera Company continues with the first of its two spring productions, The Barber of Seville this week. Canadian baritone Josh Hopkins is Figaro, all twelve performances of it!  The other roles are double-cast. Meanwhile, the first cast continues this week with Serena Malfi as Rosina, Alek Shrader as a screamingly funny Almaviva, an equally hilarious Dr. Bartolo by Italian buffo Renato Girolami, and Canadian bass-baritone Robert Gleadow as Basilio. Rory Macdonald conducts. Performances on Wednesday April 29th at 7:30 pm and Saturday May 2nd at 4:30 pm at the Four Seasons Centre. http://www.coc.ca/PerformancesAndTickets/1415Season/BarberOfSeville.aspx

COC Ensemble Studio


An interesting event this week takes place at the Richard Bradshaw Amphitheatre on Tuesday April 28 at noon. The COC Ensemble Studio members involved in the special performance on May 15 will be giving a preview of their show. Baritone Clarence Frazer sings Figaro; mezzo Charlotte Burrage is Rosina; Almaviva is shared between tenors Andrew Haji and Jean-Philippe Lazure-Fortier; Iain MacNeil is Dr. Bartolo, Gordon Bintner is Basilio; and soprano Karine Boucher is Berta, It will be semi-staged, with piano accompaniment. The program does not specify the name of the pianist, but it's like COC Ensemble Studio pianist Jennifer Szeto. This is a great chance to hear the voices of tomorrow. Be sure to line up an hour ahead to ensure a seat. Program details at  http://files.coc.ca/pdfs/concert150428.pdf

Mezzo and Broadcaster Jean Stilwell (Photo: jeanandpatti.com) 


Now for something a little different - for its final production of the season, Toronto Operetta Theatre is putting on Earnest, the Importance of Being by Victor Davies and Eugene Benson, a show it first premiered in 2008. As the title suggests, it's a comedy based on the Oscar Wilde play, and it stars the redoubtable mezzo Jean Stilwell. She is joined by TOT veteran Gregory Finney as Rev. Canon Chasuble. This is a fun show, just in time to usher in our much delayed Toronto spring! Four performances at the Jane Mallett Theatre, April 29, May 1, 2, 3 (mat.) http://www.torontooperetta.com/shows.html



Argentinean tenor Francisco Brito Joins COC Barber Cast

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Just received a Press Release from the Canadian Opera Company to the effect that Argentinean tenor Francisco Brito will replace scheduled Romanian tenor Bogdan Mihai as Almaviva in the alternate cast of the current production of The Barber of Seville. His first performance begins May 9th.  

Tenor Francisco BritoFor an opera with so many performances like Barber - in this case 12 plus a COC Ensemble show - most roles are double cast. A few cast changes are bound to happen. Some of you may recall the La boheme last season when we ended up with five tenors, if you count the one - another Romanian, Teodor Illincai - who cancelled before rehearsals.  These things happen. The downside is we won't get to hear the beautiful voice of Mr. Mihai, but it means we get to experience another beautiful voice, that of Signor Brito. For those curious what he sounds like, you can go to his Youtube channel for a few video clips.  On his channel, he also has videos of other singers he likes, like American tenor Gregory Kunde and the late Swedish tenor Gosta Winbergh - Mr. Brito has good taste!  I look forward to hearing Francisco Brito at the COC. 

~  Joseph So

For Immediate Release: April 27, 2015
TENOR FRANCISCO BRITO JOINS CANADIAN OPERA COMPANY’S THE BARBER OF SEVILLE

Toronto – The Canadian Opera Companyregrets to announce that Romanian tenor Bogdan Mihai, who was scheduled to perform the role of Count Almaviva in Rossini’s The Barber of Seville this May, has had to withdraw for personal reasons. Mihai was scheduled to sing three of the production’s 12 performances. In his place, the COC has cast Argentine tenor Francisco Brito, who will make his Canadian debut. Brito shares the role of Count Almaviva with American tenor Alek Shrader who has been performing the role since the COC’s production opened on April 17, 2015.

Francisco Brito is an exciting young singer, praised for “his considerable vocal agility, [ability] to slide through his range rapidly and holding his high notes with ease,” (Seen and Heard International). A Rossini specialist, Brito made his operatic debut in Il viaggio a Reims at the 2006 Rossini Opera Festival in Pesaro, Italy, with subsequent guest engagements of L’Italiana in Algeri at the Teatro Municipale di Piacenza and Teatro Pavarotti di Modena in 2008; Zelmira in Pesaro in 2009 and, in 2011, Il viaggio a Reims at the Teatro Argentino de La Plata in Buenos Aires and La gazza ladra at the Semperoper in Dresden, where he also appeared in Donizetti’s Anna Bolena. He’s also performed with the Festival della Valle d’Itria and the Teatro Comunale di Bologna. In recent seasons, he has appeared with Oper Frankfurt in performances of Adriana Lecouvreur and L’incoronazione di Poppea, as well as in Carmina Burana and La scala di seta with Nationaltheater Mannheim and Il signor Bruschino with Teatro La Fenice. Brito can be heard in the role of Count Almaviva in the COC’s The Barber of Seville on May 9, 19 and 21.

The COC’s production of The Barber of Seville has delighted Toronto audiences since it opened on April 17 at the Four Seasons Centre for the Performing Arts. Rossini’s masterful comedy features a veritable hit parade of a score marked by showstoppers and sparkling tunes, complemented by a colourful production described as “full of zany buffa delights” (Globe and Mail). Eight performances remain before the production concludes its run onMay 22, 2015.

The exciting young singers of the Canadian Opera Company’s Ensemble Studio also perform the lead roles in their own performance of The Barber of Seville on May 15, 2015 at 7:30 p.m. Tickets are accessibly priced at $25 or $55.

Ticket Information
Tickets are available online at coc.ca, by calling 416-363-8231, or in person at the Four Seasons Centre Box Office (145 Queen St. W., Toronto). Ticket prices for The Barber of Seville  range from $49 – $424 (includes applicable taxes).Standing Room tickets are available for $12 at 11 a.m. the morning of the performance, in person only at the Four Seasons Centre Box Office. Limit of two tickets per person. Subject to availability.


About the Canadian Opera Company 
Based in Toronto, the Canadian Opera Company is the largest producer of opera in Canada and one of the largest in North America. The COC enjoys a loyal audience support-base and one of the highest attendance and subscription rates in North America. Under its leadership team of General Director Alexander Neef and Music Director Johannes Debus, the COC is increasingly capturing the opera world’s attention. The COC maintains its international reputation for artistic excellence and creative innovation by creating new productions within its diverse repertoire, collaborating with leading opera companies and festivals, and attracting the world’s foremost Canadian and international artists. The COC performs in its own opera house, the Four Seasons Centre for the Performing Arts, hailed internationally as one of the finest in the world. Designed by Diamond Schmitt Architects, the Four Seasons Centre opened in 2006. For more information on the COC, visit its award-winning website,coc.ca.




Cette semaine à Montréal : 27 avril au 3 mai

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Cette semaine à Montréal : 27 avril au 3 mai

20e anniversaire du FMCM – 12 mars au 21 juin 2015
Les célébrations du Festival de musique de chambre de Montréal sont lancées dès le printemps avec la série Célébrité qui commençait en mars avec les Swingle Singers et se poursuit avec le Preservation Hall Jazz Band (2 avril) et l’Emerson String Quartet (12 mai). Les séries Élégance classique et JazzTD se dérouleront du 6 au 21 juin. Porte-parole pour le festival, la soprano Marie-Josée Lord a conçu le spectacle Femmes qui rend hommage à de grandes sopranos du 20e siècle. Élaborée par Denis Brott, la programmation reflète l'esprit de la fête, mais exprime aussi la résilience et l'espoir. Le festival se déploie cette année dans diverses salles de concert. www.festivalmontreal.org RB

Christophe Colomb ou la découverte du Nouveau Monde
27 avril, 19h, Église Sainte-Famille, Boucherville - 25$
En première nord-américaine, partez à la découverte du Nouveau Monde avec l'ode symphonie Christophe Colomb (1847) de Félicien David. Cette oeuvre magistrale de la musique française est empreinte d'une couleur exotique. L'Orchestre de chambre de la Montérégie (OCM) et le choeur du Festival Classica sous la direction de Jean-Claude Magloire. Solistes: Marie-Ève Munger, Antoine Bélanger et Marc Boucher. Narrateur: Robert Côté. Plus de 70 artistes sur scène. 

ECM+ en compagnie du Trio Gryphon
Le concert multimédia Illusions réunit le Trio Gryphon, l'ECM+ et le baryton Vincent Ranallo. Conçue à partir du mystérieux Piano Trio de Charles Ives, cette odyssée, sous la direction de Véronique Lacroix, présente une création de trois compositeurs : Simon Martin, Gabriel Dharmoo et Nicole Lizée. Salle Pierre-Mercure, 30 avril, 19 h 30. www.ecm.qc.ca RB

Chapelle historique du Bon-Pasteur
Le pianiste Maxim Bernard nous offre des œuvres écrites durant la Grande Guerre de 1914-1918 par Rachmaninov, Fauré, Bartók, Medtner, Scriabine et Ravel. Un condensé des tendances au début du XXesiècle. 30 avril, 20 h.

Dans le cadre de sa résidence, l'Ensemble Transmission présentedes œuvres de LeBlanc, Harman, Haas, Perezzani. 1er mai, 20 h. www.ville.montreal.qc.ca/chapellebonpasteurRB

Pentaèdre
Concert L’influence germanique, 1er mai,19 h 30, salle de concert du Conservatoire de musique de Montréal. www.pentaedre.com/linfluence-germanique

La Scena Musicale
Le dimanche 3 mai à 14h30 à la Grande Bibliothèque, assistez à une rare entrevue publique du grand cinéaste Denys Arcand. Découvrez la passion secrète de Denys Arcand! Sa passion, c’est la mise en scène de l’opéra français Zémire et Azor d’André Grétry, composé en 1771, et première représentation de l’histoire fascinante de la Belle et la Bête. Il nous parlera de son travail avec les jeunes chanteurs de l’Atelier lyrique de l’Opéra de Montréal. http://bit.ly/LSM-Arcandfr
 
Voix et quatuor au Ladies' Morning Musical Club
Gardien des grandes traditions, le quatuor Borodine est actuellement le plus ancien quatuor à cordes encore en activité. Référence pour ses interprétations de Beethoven et Chostakovitch, l'ensemble est revenu ces dernières saisons à un répertoire plus vaste. 3e fois au LMMC. 3 mai.
Les concerts ont lieu à la salle Pollack à 15 h 30. www.lmmc.ca RB



This Week in Montreal : April 27 to May 3

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This Week in Montreal : April 27 to May 3

20thanniversary of the FMCM – March 12-June 21 2015
The celebration of the 20thanniversary of the Festival de musique de chamber de Montréal takes off this spring with the Celebrity Series, beginning in March with the Swingle Singers and continuing with the Preservation Hall Jazz Band (April 2) and the Emerson String Quartet (May 12). The Elegance Classique and JazzTD Series will take place from June 6-21. Soprano Marie-Josée Lord, spokeswoman for the festival, will perform her show Femmes, paying tribute to the great sopranos of the twentieth century. Developed by Denis Brott, the festival programming embodies a spirit of celebration, resilience and hope. This year’s festival will take place in various concert halls. www.festivalmontreal.org RB

ECM+ with the Gryphon Trio
The multimedia concert Illusions brings together the Gryphon Trio, ECM+, and baritone Vincent Ranallo. Inspired by the mysterious Piano Trio by Charles Ives and directed by Véronique Lacroix, this odyssey is the creation of three composers: Simon Martin, Gabriel Dharmoo and Nicole Lizée. Salle Pierre-Mercure, April 30, 7:30 pm. www.ecm.qc.ca RB

Chapelle historique du Bon-Pasteur
Pianist Maxim Bernard presents works written during the Great War of 1914-1918 by Rachmaninov, Fauré, Bartók, Medtner, Scriabine and Ravel in an overview of early twentieth-century musical trends . April 30, 8 pm.
As part of its residency, the Ensemble Transmission presents works of LeBlanc, Harman, Haas, and Perezzani. May 1, 8 pm. www.ville.montreal.qc.ca/chapellebonpasteur RB

Pentaèdre
Pentaèdre hosts horn player Louis-Pierre Bergeron for Germanic Influences, a program of Romantic European works for wind instruments. May 1, 7:30 p.m. at the Salle de concert du Conservatoire de musique de Montréal. www.pentaedre.com/germanic-influences

La Scena Musicale – Deny Arcand’s passion
Sunday, May 3, 2015, at 2:30 PM at the Grande Bibliothèque, attend a rare public interview with master filmmaker Denys Arcand. Discover Denys Arcand's secret passion! His passion? It's André Grétry's French baroque opera Zémire et Azor, composed in 1771, and the first interpretation of the fairy tale of Beauty and the Beast. Arcand uses a scene from this opera as a dream sequence to open his film L'Âge des ténèbres. He will discuss his work with the young singers of the Atelier lyrique de l’Opéra de Montréal. http://bit.ly/LSM-Arcanden
 
Singing and Quartets at the Ladies Morning Musical Club
Guardian of a venerable tradition, the Borodin Quartet is currently the oldest performing string quartet in the world. Renowned for its interpretations of Beethoven and Shostakovich, the quartet has returned in recent seasons to a wider repertoire.  Third performance at LMMC, May 3.
Concerts take place at Pollack Hall at 3:30 pm. www.lmmc.ca RB

Canadian Soprano Joyce El Khoury Shines in Donizetti's Les Martyrs

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Canadian soprano Joyce El Khoury as Pauline in Donizetti's Les Martyrs

~ Joseph So

Soprano Joyce El Khoury

In the very crowded field of operatic sopranos, Canadian Joyce El Khoury stands out as someone special. If you've seen her on stage, you'll know what I mean. El Khoury combines a superb lirico-spinto voice of beauty and flexibility - not to mention a pianissimo that rivals Monserrat Caballe's - with dramatic flair and alluring stage presence, all ingredients that have made her into one of the most exciting young sopranos today. When I interviewed her back in the fall of 2013 for Opera Canada, she had just recorded her first complete opera, Donizetti's Belisario, under the baton of Sir Mark Elder, for Opera Rara, an independent British recording label with a focus on forgotten operas. El Khoury's singing of Antonina in that recording was a vocal and dramatic tour de force, with all the tricks of the trade in place - lovely legato, full throttle fortissimo and exquisite piano, all delivered with dramatic intensity and beauty of tone. 

Now we have a new recording, another Donizetti rarity from Opera Rara, Les Martyrs, to be released in May. This is billed as the first complete performance of this opera since 1840. For political reasons, this work was banned in Italy at the time, and Donizetti reworked it into a French grand opera for the Parisian audience, complete with the obligatory ballet. It was well received in its premiere but was soon forgotten. The few attempts at revival saw the work severely cut and sung in its original Italian. This Opera Rara project under Sir Mark Elder restores it to the full French version. After the recording, a concert performance was given to critical acclaim at Royal Festival Hall in London.  

I haven't yet received my review disc, but listening to snippets of the recording in the short video documentary, it clearly shows this is an important addition to the discography of Donizetti. Given the sorry state of the classical recording industry these days, it is nice to see such a major studio recording is still possible. In the documentary, El Khoury gives her thoughts on the character of Pauline and the vocal challenges of singing this difficult role.  With these two Donizetti rarities, it's clear that in Joyce El Khoury we have a new dramatic coloratura in the opera world. In Canada, we are blessed with the presence of American-born soprano Sondra Radvanovsky who calls Canada her adopted home.  Radvanovsky is clearly the reigning bel canto queen of our time.  Incredibly we now have a second soprano in Canada, ready willing and able to conquer this most challenging of repertoires. Talk about embarrassment of riches!  Toronto opera fans will get a chance to see El Khoury in person as she sings Violetta at the Canadian Opera Company in fall 2015.  

To view the documentary, go to  https://www.youtube.com/watch?v=rfanCa_YsEw

For more information on Opera Rara and Les Martyrs, go to https://www.facebook.com/OperaRaraOfficial/videos?fref=photo











COC Ensemble Cast Gives a Terrific Barber Preview

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The Futile Precaution: Highlights from The Barber of Seville (Review)

~ Joseph So

Artists of the Canadian Opera Company Ensemble Studio

Charlotte Burrage (Rosina)
Karine Boucher (Bertha)
Andrew Haji (Almaviva)
Jean-Philippe Fortier-Lazure (Almaviva)
Clarence Frazer (Figaro)
Iain MacNeil (Dr. Bartolo)
Jennifer Szeto, piano

Tuesday, April 28th 2015 / Richard Bradshaw Amphitheatre

Rossini's Il barbiere di Siviglia, with its comic hijinks and vocal gymnastics, is tailor-made for young artists with fresh, flexible voices, nimble bodies and ready smiles.  That's just what we got on Tuesday, April 28 noon hour concert at the Richard Bradshaw Amphitheatre.  On May 15, the audience will get to hear these wonderful singers give their all in this great Rossini opera.  If you are not among the lucky ones with a ticket - the show is sold out - I hope you were among the ones enjoying the free preview on Tuesday.  The RBA was jammed on this occasion and it was a great show.  


 (back row l. to r.) Andrew Haji, Jean-Philippe Fortier-Lazure, Iain MacNeil
(front row) Clarence Frazer, Charlotte Burrage, Karine Boucher
All photos by Karen Reeves 

It's amazing how much can be crammed into 60 minutes!  It started with the Overture, nicely played by COC Ensemble pianist Jennifer Szeto. She was busier than anyone else in this show, negotiating the many arias and ensembles non-stop and without missing a beat.  Clarence Frazer sang and acted a terrific "Largo al factotum", entering from the upper level. This baritone is singing the best I've heard him, with a blazing top and great stage presence - you really need a true ham to be a Figaro. And I appreciate his not going into the tiresome falsetto in the aria. I must say I was also very impressed with the stage direction, though not sure who's the director here.  Okay a lot of it was Joan Font's but I imagine an assistant director adapted it to the RBA space?

Clarence Frazer as a larger than life Figaro

Then Andrew Haji gave us "Ecco ridente in cielo," For a big guy, he moves extremely well, and he was dramatically endearing. His lyric tenor with its rich and hall-filling sound was a real pleasure. Though not a natural bel canto singer as his voice is larger than a typical Rossini tenor - and I've heard cleaner runs and fioritura by other tenors albeit with smaller voices - Haji's golden tones made up for it. Then it was the warm, sweet, ingratiating tenore di grazia of Jean-Philippe Fortier-Lazure, singing the serenade beautifully. Haji and Frazer's duet, "Se il mio nome saper voi bramate" where Lindoro pays Figaro to help him get into Dr. Bartolo's house was vividly acted and both singers have fine Italian parlando. 
Almaviva (Andrew Haji) bribing Figaro (Clarence Frazer)

Then it was mezzo Charlotte Burrage's turn to shine with the showstopper "Una voce poco fa." In a recent interview I had with Burrage, she mentions that this Rosina is her first coloratura role. With this aria, Burrage shows that not only is she ideal in German and Mozart operas, her rich, well focused, slightly cool timbre with good flexibility and an excellent top register also makes her an engaging Rosina. Arguably she could be a bit more playful in the duet "Dunque io son" with Figaro (Clarence Frazer), but it was beautifully sung by both.     

Charlotte Burrage in "Una voce poco fa"

Iain MacNeil, as Dr. Bartolo, doesn't get to shine as much in this highlights concert - his participation is down to one scene with Rosina. Bartolo is perhaps more an acting than singing role, but MacNeil was very good in this scene, singing with youthful tone and excellent flexibility.  Similarly, the beautiful soprano of Karine Boucher is underused in this opera as the maid Bertha. However, leave it to Ms. Boucher to turn a comprimaria to almost a starring role with her acting  hijinks in "Il vecchiotto cerca moglie" as the "downstairs" Bertha, complete with braided hair and flat shoes. The festivities drew to a close with a comically choreographed "Mi par d'esser colla testa," a fun finale to the opera. I confess I'm not a huge fan of these rather automaton-like writing by Rossini, but with these young singers, they won me over.  The audience understandably was extremely enthusiastic at the end, giving the artists a sustained, rousing ovation. This promises to be a great show on May 15.  If you have a ticket, be prepared for a fun time. 


Charlotte Burrage and Clarence Frazer in "Dunque io son"



This Week in Toronto (May 4 - 10)

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My Toronto Concert Picks for the Week of May 4 to 10

~ Joseph So

Canadian bass-baritone John Relyea (www.johnrelyea.com)

This week marks the opening of the second production of the Canadian Opera Company spring season, the double-bill of Bartok's Bluebeard Castle and Schoenberg's Erwartung.  This is the famous Lepage/Levine production way back in 1993 that broke new ground for the COC and put the Company on the international map. I certainly remember being blown away by it at the time.  My guess is that it is the most successful COC production when it comes to rentals by other companies, having traveled to the Edinburgh Festival and Hong Kong as well as to Montreal and Seattle. Toronto-born bass baritone John Relyea sang it in Seattle and he will be a vocally and dramatically imposing Bluebeard in the current revival for sure. Ekaterina Gubanova is making her belated COC debut as Judith. (She was originally announced as Dulcinee last season) Canadian mezzo Krisztina Szabo tackles the nearly impossible atonal part of The Woman in Erwartung. COC Music Director Johannes Debus is at the helm. There are several coup de theatre strokes but I won't give it away. Bartok and Schoenberg are light years away from the frothy Rossini, so it's an interesting juxtaposition and an extremely intense show! It opens on May 6th 7:30 pm at the Four Seasons Centre, with additional performances this week on May 8th and 10th. http://www.coc.ca/PerformancesAndTickets/1415Season/BluebeardErwartung.aspx

In the meantime, The Barber of Seville continues its marathon 12-performance run, plus the special Ensemble Studio Performance on May 15. This week sees the premiere of the second cast on May 9th. American mezzo Cecelia Hall is Rosina (she actually debuts on May 7), and Argentinean tenor Francisco Brito is Almaviva. Others include Nikolay Didenko (Dr. Bartolo) and Turkish bass Burak Bilgili (Basilio). Of this group, Biligi is the only returning artist, having previously sung a very funny Basilio with the COC back in 2008. Canadian baritone Josh Hopkins continues as the only Figaro.   http://www.coc.ca/PerformancesAndTickets/1415Season/BarberofSeville.aspx


Soprano Aviva Fortunata

On Tuesday May 5 at the Richard Bradshaw Amphitheatre at noon is a recital featuring three members of the COC Ensemble Studio, sopranos Karine Boucher and Aviva Fortunata, and tenor Owen McCausland. They sing songs and arias by Beethoven, Donizetti, Liszt, Wolf, Wagner, Strauss, Frank Bridge and Respighi. All three singers will be participating in competitions this month - McCausland and Boucher at the Montreal International Musical Competition, and Fortunata represents Canada at the Cardiff Singer of the World. I am not certain of this, but my guess is that these pieces are on their competition repertoires, and this concert represents a "dry run." The pianists are Liz Upchurch, Jennifer Szeto and Timothy Cheung. It replaces the previously announced recital by Josh Hopkins who is not able to appear.  http://files.coc.ca/pdfs/concert150505.pdf

Violinist Augustin Hadelich

The Toronto Symphony Orchestra has a single show this week, with Italian-American violinist Augustin Hadelich in town to play the Mendelssohn Violin Concerto. Go to Youtube for a snippet of his playing the Mendelssohn - https://www.youtube.com/watch?v=mN0cHaNw4jM
Also on the program is Bruckner Symphony No. 7, and a new piece, Treeship by Chinese Canadian composer Kevin Lau. Peter Oundjian conducts. Wednesday May 6th 8 pm at Roy Thomson Hall. http://tso.ca/en-ca/concerts-and-tickets/2014-2015-Season/EventDetails/Mendelssohn-Violin-Concerto.aspx

Tafelmusik is presenting J.S. Bach: The Circle of Creation, under the direction of its long-time leader Jeanne Lamon. The show is conceived, programmed and scripted by Alison MacKay. Opera Atelier's Marshall Pynkoski is stage director. Click on http://www.tafelmusik.org/concert-calendar/concert/js-bach-circle-creation for program notes. Performances on May 6, 7, 8, 9, 10 at the Trinity St. Paul Centre, and May 12 at George Weston Hall. http://www.tafelmusik.org/

Ensemble Made in Canada

On May 7 1:30 pm at Walter Hall, Edward Johnson Building on the campus of University of Toronto, the Women's Musical Club of Toronto is presenting Ensemble Made in Canada, with violiinist Elissa Lee, violist Sharon Wei, cellist Rachel Mercer and pianist Angela Park, playing works by Beethoven, Brahms, and Mayo (a WMCT commissioned world premiere). For details go to http://www.wmct.on.ca/concert-series/ensemble-made-in-canada/

Alice in Wonderland Poster

The Canadian Children's Opera Company, under the stewardship of Ann Cooper Gay, is presenting Alice in Wonderland, composed by Errol Gay and Michael Albano, based on the famous story by Lewis Carroll.  It features a chamber orchestra conducted by Ann Cooper Gay, and with special guest veteran Canadian tenor Benoit Boutet as the White Rabbit. Performances at the Harbourfront Centre Theatre on May 8, 9, and 10. http://www.canadianchildrensopera.com/

Pianist composer Adam Sherkin

Pianist-composer Adam Sherkin is presenting a recital with the intriguing title, Let Hands Speak, an evening of new music by Canadian composers Gougeon, Murphy, Eckhardt-Grammatte, Coulthard, Lau, and Sherkin himself. It takes place on Saturday May 9th 7:30 pm at the Jane Mallett Theatre. Details at  https://boxoffice.stlc.com/public/show.asp


Spiegelworld's EMPIRE: A Boffo Blend of Balance, Bawdiness, Burlesque ... and Bananas

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By Naomi Gold
photos by Egnyte/Patrick Beaudry

Just hangin' around
Evenko and Spiegelworld Canada are presenting EMPIRE under the Spiegeltent in downtown Montreal.  EMPIRE is a fast-paced, zany, breathtaking - but at times profane - multimedia show. Acrobats, contortionists and gymnasts, with seemingly elastic bands of muscle, literally stretch anatomical limits of human biology.  Rubbery solo, pas de deux and ménage à trois performances exude sensuality, in costumes that are lacy and racy.  Some acts are set to the live music of vocalist, Miss Purple and her guitarist, Moondog. Others feature recorded tracks, dazzling light shows and evoke vaudevillian theatre.

Rocking and ROLLIN'
Outrageous hosts Fanny & Oscar thoroughly engage their audience with bawdy humour, sometimes corny, comedic 'slapshtick' and maintain the 'momo cum mojo' throughout this 90-minute extravaganza.   Gyrating seductively, the exhibitionists perform sidesplitting risqué numbers in preparation for the climactic audience 'member' (pun intended) routine.  

Some performances seemed familiar to Montreal's cirque-savvy audience, but they were easily won over by the suspended bubble gal, wheeling Asian dude (in pigtails), and spinning skaters.  Other highlights were the Gorilla Girls, bouncy Ethiopian boys, Carrot Man and his top Lime Green Lady. The 3D Graffiti Guy's wondrous feats of equilibrium, balance and nanoprecise symmetry had me rethinking Newtonian physics and the laws of gravity.

Just chillin' in my bubble
One glaring slip-up in an otherwise entertaining production, was the truly heave-worthy banana shpeel (3-way er, pun intended).  The unfunny, revolting spectacle was bad enough, but hurling masticated banana projectiles at viewers was truly scary.

By show's end all was forgiven - if not forgotten - and spectators responded with rapturous applause and a standing ovation.  Loath to leave, fans finally exited laughing, as they were commanded to "get the expletive" out.  

:::Uh oh::: I feel a sneeze comin' on....
EMPIRE takes place in an intimate 700-seat, Spiegeltent housed on the corner of René-Lévesque and Bleury. Grunge graffiti outside EMPIRE'S marquee, and the surrounding tent city lend street cred to the production.  The big top itself is a cozy venue featuring antique wood, stained glass, beveled mirrors and a tiny centre stage where spectators can lean in. Half-moon banquettes surrounding large cocktail tables are great for groups; premium seats, mere inches from the stage, draw you in - and in some cases - ONstage (so be warned).  Beer and snacks are served throughout. EMPIRE is not kid-friendly and contains some coarse language. It runs until June 7th and ticket prices start at $64.00.   



Mezzo Kimberly Barber to co-host Women In Music Radio Series

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Mezzo-soprano Kimberly Barber to co-host Women In Music Radio Series
 On FM 98.5 CKWR




Kitchener-Waterloo, Ontario, Canada (May 5, 2015) — The Women in Music radio series, now having given over 216 broadcasts on FM 98.5 CKWR, introduces a new feature on the first Monday of each month, co-hosted by mezzo-soprano Kimberly Barber. The first show in this new format will be broadcast September 7, 2015 from 9-11 pm. The series, which has attracted a wide international audience, has been produced and hosted by Tom Quick since 2008.   
      
“I’ve been contacted by women composers, vocalists and instrumentalists from all over the world, including Argentina, Australia, Europe and the UK, as well as North America. There is a lot of great music being written and performed by women and not being played on the radio,” says host Tom Quick.

Putting a special local and national emphasis on the show, co-host mezzo-soprano Kimberly Barber, who has a storied international performing career (she is celebrating the 30thanniversary of her professional debut this season), is also on faculty at Wilfrid Laurier University where she teaches voice and coordinates the Opera program. Ms. Barber intends to introduce Women in Music audiences to her favourite recordings, relating interesting background and anecdotes about performers and composers of choice. She’ll provide a personal take on many of Canada’s finest female classical vocal and instrumental artists, introduce audiences to the enduring recorded legacy of female singers and instrumentalists while championing women composers both Canadian and international. Plans for upcoming shows include:

   An Introduction to Kimberly Barber—featuring recordings of the artist herself as well as performances of many of her colleagues and inspirations, including mezzos Frederica von Stade and Lorraine Hunt and composer Libby Larsen

   Women in Music at Laurier—recordings by Laurier music faculty members, alumni and guest artists: Jane Archibald, Allyson McHardy, Anya Alexeyev, Janina Fialkowska, Christine Vlajk of the Penderecki String Quartet and many others

   Canadian Songstresses, featuring performances by an illustrious list of the Grandes Dames of Canadian Song, including Maureen Forrester (Laurier’s Chancellor from 1986-1990), Lois Marshall, Adrianne Pieczonka, Karina Gauvin, Marie-Nicole Lemieux, and many more

Quick started the Women in Music radio series, which showcases the talents of female composers, vocalists and instrumentalists, in March 2008. During this time, he has featured the works of Czech composer and conductor Vítězslava Kaprálová, internationally acclaimed Chinese-American pianist Wu Han, the young and dynamicCanadian cellist Denise Djokic, Canadian violinist Lara St. John, internationally renowned American soprano Raya Gonen and Heather Schmidt, one of Canada’s most celebrated composers and pianists – to name just a few.

“What’s so impressive about women in music today is not only their international prominence, but they are involved in a wide-range of activities, including concert performer, recording artist, educator, arts administrator, artistic director and cultural entrepreneur,” says Quick. “They are musical powerhouses.”

The Women in Music radio series started out as a monthly feature, then became a bi-monthly feature given its popularity and the demand for airtime and has now become a weekly program. Several organizations now list Women in Music on their websites, including Toronto's Kapralova Society, named after Czech composer and conductor Vítězslava Kaprálová, and the International Alliance for Women in Music.

Tom Quick is a classical music aficionado who has been hosting and producing radio since 1975, beginning at Brisbane, Australia’s public broadcasting network 4MBS, now at Kitchener-Waterloo, Ontario’s (Canada) community radio station FM 98.5 CKWR. He has been producing and hosting Monday Evening Concert for 12 years. With a CD collection surpassing 7,000 in his home library, he loves to share his passion for classical music with listeners.

FM 98.5 CKWR serves Waterloo Region (Ontario, Canada) and surrounding area. The station offers soft favourites Monday through Friday from 6:00 am to 6:00 pm, specialty programming Monday through Friday from 6:00 to 11:00 pm and multicultural programming on the weekends.


The Women in Music shows can be heard every Monday from 9:00 to 11:00 pm EST on the FM 98.5 dial or online at: www.ckwr.com

For those with recordings to share or wanting more information, Tom Quick can be reached at
quickmusic@sgci.com


Tapestry Opera Receives Opera America Grant

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TAPESTRY OPERA RECEIVES GRANT FROM OPERA AMERICA TO FUND 12 INDEPENDENT COMPANIES

Indie Opera T.O to use funds for innovative digital awareness campaign 

Toronto, ON — Tapestry Opera is pleased to announce that it has been awarded a grant of $35,000 USD in the third year of OPERA America’s Building Opera Audiences grant program. 

This program, made possible by the Ann and Gordon Getty Foundation, supports the efforts of North American opera companies to build informed, enthusiastic audiences for opera through innovative marketing projects. Tapestry Opera was granted funds to support 12 independent opera companies in Toronto through the budding Indie Opera T.O movement.

Tapestry Opera is one of nine organizations in the U.S. and Canada to receive funding totaling $300,000 USD. More than 50 applications totaling over $2.3 million in requests were received by OPERA America, demonstrating how vital audience development programs are to opera organizations today. 

Tapestry Opera is committing its Building Opera Audiences grant to Indie Opera T.O, a network of 12 independent Toronto opera companies. Under the leadership of Tapestry Opera’s Artistic Director Michael Hidetoshi Mori, the group will be using the OPERA America grant to create a digital marketing campaign that will promote its member companies to a young, digitally savvy demographic—a model successfully pioneered by the New York Opera Alliance. Associated companies include Against the Grain Theatre, Opera 5, The Bicycle Opera Project, Essential Opera, Metro Youth Opera, Liederwölf, FAWN, Urbanvessel, Loose Tea Music Theatre, The Friends of Gravity and Opera After Hours, in addition to Tapestry Opera.

OPERA America, the field’s national nonprofit service organization, leads and serves the entire opera community, supporting the creation, presentation and enjoyment of opera. “As cultural and entertainment options continue to grow, opera companies face increased competition for audiences,” stated Marc A. Scorca, President/CEO of OPERA America. “The Building Opera Audiences grant program provides funding to experiment with innovative projects that help engage new and retain current audiences, ensuring that opera and opera companies continue to flourish.”

Each funded project will be documented and evaluated throughout its lifespan. The results will be shared with the opera field, so that other organizations can learn from and replicate projects in their communities. 

“Tapestry is very excited to work with 11 other companies to expand opera audiences in Toronto,” said Michael Hidetoshi Mori, Artistic Director of Tapestry Opera. “The young leaders of these companies are already the most dynamic innovators in promotion and presentation on tight budgets, and this grant will offer new platforms for them to broaden their reach. On behalf of Indie Opera T.O and Tapestry Opera, I thank Marc Scorca and OPERA America for providing a collective resource that will allow us to communicate a fresh and revitalized image for opera in the 21st century.” 

The complete list of organizations receiving Building Opera Audiences grants is: Florida Grand Opera (Miami, FL), Los Angeles Opera, Lyric Opera of Chicago, Opera Memphis, Opera Saratoga, OperaLancaster, Portland Opera, Tapestry Opera (Toronto, ON) and Utah Symphony | Utah Opera (Salt Lake City, UT).

Recipients of Building Opera Audiences grants were selected by an independent panel of industry leaders, including Andrew Goldberg (Vice President of Marketing, Adrienne Arsht Center for the Performing Arts), Kyle Sircus (Director of Marketing, Playwrights Horizons), Jacob Smith(Development and Marketing Director, Philadelphia Chamber Music Society) and Melanie Thibeault (consultant).

The Building Opera Audiences grant program is made possible through the generosity of the Ann and Gordon Getty Foundation.

About Tapestry Opera
Tapestry Opera (tapestryopera.com) is a Toronto-based company that creates and produces from the heart of here and now. For 35 years, the company has presented award-winning works by preeminent artists, brought to life by some of the most talented and versatile performers of the contemporary stage. As Canada’s leader in opera development, Tapestry Opera is committed to cultivating new creators and performers to serve the evolution of the art form and build a lasting Canadian repertoire. Tapestry Opera alumni include Ann-Marie MacDonald, Atom Egoyan, James Rolfe, Marjorie Chan and Nic Gotham.

About Tapestry Opera M’dea Undone – May 26 to May 29, 2015
Experience mythology’s most controversial heroine in modern wartime context, set against the stunning industrial backdrop of Toronto’s reclaimed brick factory, Evergreen Brickworks. TAPESTRY OPERA presents a recreation of the classic myth in the world premiere of M’DEA UNDONE.Written by Dora Award-winning playwright Marjorie Chan and brought to life by the orchestral and electronic talent of Scottish composer John Harris, M’DEA UNDONE will receive its world premiere in Toronto for a limited engagement May 26-29, 2015.

About Indie Opera T.O
Indie Opera T.O is a network of dynamic young companies that are awakening a vibrant renaissance of opera in Toronto. Driven by a goal to support one another as advocates of innovative opera and chamber music experiences, member companies share resources and learnings, capturing the imagination of younger and digitally savvy audiences and building a new-generation opera scene. Indie Opera T.O  is currently comprised of 12 autonomous companies, including Tapestry Opera, Against the Grain Theatre, Opera 5, The Bicycle Opera Project, Essential Opera, Metro Youth Opera, Liederwölf, FAWN, Urbanvessel, Loose Tea Music Theatre, The Friends of Gravity and Opera After Hours.

About OPERA America
OPERA America (operaamerica.org) leads and serves the entire opera community, supporting the creation, presentation and enjoyment of opera.
  • Artistic services help opera companies and creative and performing artists to improve the quality of productions and increase the creation and presentation of North American works.
  • Information, technical and administrative services to opera companies reflect the need for strengthened leadership among staff, trustees and volunteers.
  • Education, audience development and community services are designed to enhance all forms of opera appreciation.

Founded in 1970, OPERA America’s worldwide membership network includes nearly 200 Company Members, 300 Associate and Business Members, 2,000 Individual Members and more than 12,000 subscribers to the association’s electronic news service. In response to the critical need for suitable audition, rehearsal and recording facilities, OPERA America opened the first-ever NATIONAL OPERA CENTER (operaamerica.org/OperaCenter) in September 2012 in New York City. With a wide range of artistic and administrative services in a purpose-built facility, OPERA America is dedicated to increasing the level of excellence, creativity and effectiveness across the field.

OPERA America’s long tradition of supporting and nurturing the creation and development of new works led to the formation of The Opera Fund, a growing endowment that allows OPERA America to make a direct impact on the ongoing creation and presentation of new opera and music-theater works. Since its inception, OPERA America has made grants of nearly $13 million to assist companies with the expenses associated with the creation and development of new works.

This Week in Montreal : May 6 to 10

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http://imusici.com/

This Week in Montreal : May 6 to 10

20thanniversary of the FMCM – March 12-June 21 2015
The celebration of the 20thanniversary of the Festival de musique de chamber de Montréal takes off this spring with the Celebrity Series, beginning in March with the Swingle Singers and continuing with the Preservation Hall Jazz Band (April 2) and the Emerson String Quartet (May 12). The Elegance Classique and JazzTD Series will take place from June 6-21. Soprano Marie-Josée Lord, spokeswoman for the festival, will perform her show Femmes, paying tribute to the great sopranos of the twentieth century. Developed by Denis Brott, the festival programming embodies a spirit of celebration, resilience and hope. This year’s festival will take place in various concert halls. www.festivalmontreal.org RB

Mark Fewer with I Musici
A Canadian violinist of international reputation, whose playing has been described as “remarkably savage”, Mark Fewer will direct the ensemble I Musici in a program ranging from rococo works by C.P.E. Bach to jazz with Tribute to Stuff Smith, by way of modern works by d’Arcuri, Maute and Webern. Chapelle historique du Bon-Pasteur, May 7-9. www.imusici.com RB
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